Reviews
Magazine and Online Reviews
“A great book for adult learners of any instrument… [this book brings the reader] a sense of true inspiration, a feeling that success is attainable while outlining the practical steps to get there.…I truly enjoyed this book and love what it teaches us.”
“A book to be read and re-read…Dense with lived wisdom but compulsively readable, the book combines practical guidance and inspiration in a comprehensive volume that will prove invaluable to musicians of any musical style or experience level.
“It is an excellent work for players of all ages and certainly will also inform teachers wishing to compare how they teach as well as what they teach."
There is so much to like in Judy Minot’s book, Best Practice: Inspiration and Ideas for Traditional Musicians! What has always been great, from my end as a fiddle teacher, about teaching adults, which is the focus of Judy’s book, is how adults are so much more than the learner you see in front of you. They have lived, worked, explored, and learned. Judy brings a wealth of knowledge and lived wisdom to learning and practicing traditional music, not only from her experience learning piano as a child but learning traditional fiddle as an adult.
This is a fabulous book consisting of 197 brief chapters which suggest ways of thinking about music, and the tools to get you where you want to go! Judy makes us want to move and apply her methods, often right after reading a sentence. The bonus is that the tools she gives us for practicing music can really apply to myriad areas of our lives.
So – stretching, playing quietly, writing music down, playing with intention, thinking positively, breaking musical passages down, giving attention to holding the instrument, getting out there and playing with others, and performing are each tackled while Judy references her life experiences doing aikido, yoga, film editing, and indeed learning music herself.
This is the kind of book I imagine every musician will enjoy; the ideas shared in it are at once a guide and a comfort to all of us as we challenge ourselves to play music.
– Liz Carroll
Judy Minot’s Best Practice is filled to the brim with practical insights, solid advice and wisdom that will benefit all traditional musicians, regardless of instrument, style, genre or skill level. There are vast wells of information in these pages that you can dip a toe, swim or dive deeply into. As a folk and blues guitarist with more than six decades of experience, Judy’s book has inspired me to approach my own continual learning from new angles, and I can see that I will be better off for it. This is a rich and finely wrought work and I highly recommend it.
– Happy Traum
I thoroughly enjoyed reading this book. It is more a compilation of wonderfully interesting tips than a conventional textbook, and contains a wealth of exceptionally useful advice for musicians of any level. Written mainly for amateur adult followers of traditional music, its value lies in explaining techniques for learning rather than the techniques for playing a specific instrument.
Drawing on the author's experiences in other disciplines (e.g., martial arts and yoga), many fresh ideas are discussed on how to set achievable goals, how to mentally approach practicing and, of course, how to develop the physical skills needed to play an instrument.
Judy Minot has come up with a very lively, entertaining and friendly book which I’m sure will be a boon to players everywhere.
​
– Kevin Burke
A wealth of ideas and tools for making progress as a musician, all presented – in keeping with the book's own advice – in small, clear, achievable steps.
​
– Jeffrey Pepper Rodgers
founding editor, Acoustic Guitar magazine
author, The Complete Singer-Songwriter
A veritable bible of a practice guide for amateurs in the field of traditional music, and I mean “amateurs” in the original sense of the word – people who LOVE doing something. This is a great way to feed that love, by teaching yourself to become more efficient and more available on your instrument and enjoy yourself while doing it! Players of all levels and all styles will benefit from reading this very well thought out, very thorough and accessible approach.
​
– Natalie Haas
Accomplished pianist Judy Minot has written a practice handbook for traditional musicians, but it could well be for any musician on any instrument at any level. Using her experiences in martial arts, yoga, and as a professional video editor, she has an insight on the way humans think and learn that makes this book a joy to work with. I’ve found short and attainable practice goals to be a successful one for my students over the years and Judy has compiled a treasure trove of such ideas in a concise and easy-to-access format. Her many years of playing multiple instruments has given her an insight to the musical mind and an understanding of the emotional aspect of practicing where achievable goals are a must.
As a resource for any musician that wants to improve on their own, this book has it covered. Each heading is a short exposition on a different aspect of playing music, with concrete suggestions that can be followed and questions to ask yourself that any good teacher would ask. Plus a call to action for each concept that is a kind of musical affirmation to keep your head in the game.
With subjects like “Going Slower is Faster,” “You Can Play By Ear,” or “Play Better With Phrasing,” Judy gives the reader ideas to break out of their ingrained habits and open up to concepts they may have never considered pursuing. Having trouble remembering a section or a song? Try “Make It Stick With A Memory Trick.” Want to learn how to structure your practice time? Read “Having A Plan.” Tired of being so hard on yourself? Read “Your Inner Critic.” With 197 short subjects, Judy has thought of more than enough areas to keep you engaged and at your instrument to foster musical and personal growth.
A book that we didn’t even know we needed is here for all of us.
​
– David Leonhardt, renowned jazz pianist
Having this guidebook is a godsend. As a self-taught musician and professional for the last five decades, I’ve never really learned the art of how to practice. With no reliable routine, I am typically scatterbrained as I sometimes struggle with lyrics.
With Judy Minot’s Best Practice I now have a plethora of ideas to add some structure to my practicing. Breathing, stretching, relaxing, visualizing and warming up all come together to help me focus on keeping the music and lyrics in my head. Other topics for those who seek improvement include how to play with others and how to play by ear.
I highly recommend “Best Practice” for all musicians, regardless of instrument, level or genre.
– Mary Flower
award-winning guitarist
Kudos to Judy for sharing this highly organized, empowering approach to the practice of practice. It’s a celebration of and for the adult learner. What a gift to players of all levels!
​
– Shannon Heaton
Praise from Renowned Musicians
American fiddler and composer
recipient of the National Endowment for the Arts' National Heritage Fellowship Award
There is so much to like in Judy Minot’s book, Best Practice: Inspiration and Ideas for Traditional Musicians! What has always been great, from my end as a fiddle teacher, about teaching adults, which is the focus of Judy’s book, is how adults are so much more than the learner you see in front of you. They have lived, worked, explored, and learned. Judy brings a wealth of knowledge and lived wisdom to learning and practicing traditional music, not only from her experience learning piano as a child but learning traditional fiddle as an adult.
This is a fabulous book consisting of 197 brief chapters which suggest ways of thinking about music, and the tools to get you where you want to go! Judy makes us want to move and apply her methods, often right after reading a sentence. The bonus is that the tools she gives us for practicing music can really apply to myriad areas of our lives.
So – stretching, playing quietly, writing music down, playing with intention, thinking positively, breaking musical passages down, giving attention to holding the instrument, getting out there and playing with others, and performing are each tackled while Judy references her life experiences doing aikido, yoga, film editing, and indeed learning music herself.
This is the kind of book I imagine every musician will enjoy; the ideas shared in it are at once a guide and a comfort to all of us as we challenge ourselves to play music.
fingerstyle guitarist and folk music legend
​
Judy Minot’s Best Practice is filled to the brim with practical insights, solid advice and wisdom that will benefit all traditional musicians, regardless of instrument, style, genre or skill level. There are vast wells of information in these pages that you can dip a toe, swim or dive deeply into. As a folk and blues guitarist with more than six decades of experience, Judy’s book has inspired me to approach my own continual learning from new angles, and I can see that I will be better off for it. This is a rich and finely wrought work and I highly recommend it.
Irish master fiddler
I thoroughly enjoyed reading this book. It is more a compilation of wonderfully interesting tips than a conventional textbook, and contains a wealth of exceptionally useful advice for musicians of any level. Written mainly for amateur adult followers of traditional music, its value lies in explaining techniques for learning rather than the techniques for playing a specific instrument.
Drawing on the author's experiences in other disciplines (e.g., martial arts and yoga), many fresh ideas are discussed on how to set achievable goals, how to mentally approach practicing and, of course, how to develop the physical skills needed to play an instrument.
Judy Minot has come up with a very lively, entertaining and friendly book which I’m sure will be a boon to players everywhere.
founding editor, Acoustic Guitar magazine
author, The Complete Singer-Songwriter
​
A wealth of ideas and tools for making progress as a musician, all presented – in keeping with the book's own advice – in small, clear, achievable steps.
groundbreaking American cellist
​
A veritable bible of a practice guide for amateurs in the field of traditional music, and I mean “amateurs” in the original sense of the word – people who LOVE doing something. This is a great way to feed that love, by teaching yourself to become more efficient and more available on your instrument and enjoy yourself while doing it! Players of all levels and all styles will benefit from reading this very well thought out, very thorough and accessible approach.
award-winning guitarist
Having this guidebook is a godsend. As a self-taught musician and professional for the last five decades, I’ve never really learned the art of how to practice. With no reliable routine, I am typically scatterbrained as I sometimes struggle with lyrics.
With Judy Minot’s Best Practice I now have a plethora of ideas to add some structure to my practicing. Breathing, stretching, relaxing, visualizing and warming up all come together to help me focus on keeping the music and lyrics in my head. Other topics for those who seek improvement include how to play with others and how to play by ear.
I highly recommend “Best Practice” for all musicians, regardless of instrument, level or genre.
veteran jazz pianist and composer
Accomplished pianist Judy Minot has written a practice handbook for traditional musicians, but it could well be for any musician on any instrument at any level. Using her experiences in martial arts, yoga, and as a professional video editor, she has an insight on the way humans think and learn that makes this book a joy to work with. I’ve found short and attainable practice goals to be a successful one for my students over the years and Judy has compiled a treasure trove of such ideas in a concise and easy-to-access format. Her many years of playing multiple instruments has given her an insight to the musical mind and an understanding of the emotional aspect of practicing where achievable goals are a must.
As a resource for any musician that wants to improve on their own, this book has it covered. Each heading is a short exposition on a different aspect of playing music, with concrete suggestions that can be followed and questions to ask yourself that any good teacher would ask. Plus a call to action for each concept that is a kind of musical affirmation to keep your head in the game.
With subjects like “Going Slower is Faster,” “You Can Play By Ear,” or “Play Better With Phrasing,” Judy gives the reader ideas to break out of their ingrained habits and open up to concepts they may have never considered pursuing. Having trouble remembering a section or a song? Try “Make It Stick With A Memory Trick.” Want to learn how to structure your practice time? Read “Having A Plan.” Tired of being so hard on yourself? Read “Your Inner Critic.” With 197 short subjects, Judy has thought of more than enough areas to keep you engaged and at your instrument to foster musical and personal growth.
A book that we didn’t even know we needed is here for all of us.
Irish flute player/singer/composer
Kudos to Judy for sharing this highly organized, empowering approach to the practice of practice. It’s a celebration of and for the adult learner. What a gift to players of all levels!
Irish fiddler, composer, teacher
Full of wonderful words of wisdom. Very down to earth, making perfect sense, with practical, sensible, and very helpful information. I was truly delighted to read this book and to recommend it to musicians I have an opportunity to meet on my journey.
Reader Reviews
“[T]he world's longest buffet for hungry, thirsty musicians…If you are hitting a road block in your practicing--whether you are a beginner or a performance professional--visit this book…[T]his book will help you reflect on your musical practices, revisit your musical and rhythmic assumptions, and become more mindful about both your own techniques and the music you are learning and playing.
“This book will have a permanent spot on my practice stand, and I will turn to it each time I practice. Put this on the birthday or holiday gift list for the musicians and music teachers in your life. They will thank you. This book really is a gem.”
– Arpeggio Garden
“Every Adult Musician Should Read This. A treasure trove of good ideas for practice, and approaches to playing to keep you centered and happy with your efforts.”
– George Fowler
“This book is really a treasure. I have read only a few chapters and my ideas of how to play and how to practice have changed. This book is simply wonderful as an instruction for both music and mindfulness and I simply can't recommend it enough. Thank you, Judy Minot.”
– JG
“Great book! Even as a gigging professional for many years (who now hates to practice) I found a bunch of great stuff in the first 20 pages.”
– Rideronthestorm
“[Your practice techniques] have made practicing so much more enjoyable and have made me feel so much better about myself and my guitar journey. Thank you for sharing your gifts and super powers!”
– KA
“This book has helped my husband change his life and his music.
– Jeni
“This book will not be collecting dust; I read it every day. It is so very inspirational. My foray into playing and trying to perform music has been the most challenging endeavor I have attempted, yet I have learned so much about myself and the slow progress I make is rewarding enough to keep me going. Thank you again for collecting these aids and presenting them in a way that makes them useful to me.”
– GB
“I keep reaching for your book, which is an amazing resource. Thank you for this gift of best practice.”
– Renata von Tscharner
“A rare treasure. Thank you for producing such a great boon to traditional musicians.”
– TL